Rock & Pop
Hailed by American Songwriter as “one of America’s most intriguing, creative, and idiosyncratic voices,” Eilen Jewell rises from the ashes on her captivating new album, Get Behind The Wheel, picking up the pieces of her shattered world and finding new purpose after watching her marriage, her band, and what felt like her entire career fall apart in a series of heartbreaking implosions. Co-produced by multi-instrumental wizard Will Kimbrough (Todd Snider, Hayes Carll), the 11-song collection pushes the acclaimed singer and songwriter’s trademark blend of vintage roots-noir into more psychedelic territory, with spacious, cinematic arrangements complementing her revelatory explorations of grief, loss, resilience, and redemption. The band’s performances are electrifying here, resulting in Jewell’s boldest album yet, a powerful work of artistic alchemy that transforms heartache into genuine creative rebirth.
The Exploding Hearts
Guitar Romantic: Expanded & Remastered [Indie Exclusive Limited Edition Pink/Yellow Wisp Clear LP]
Vinyl: $26.98 PREORDER
The thought of how an underground power/pop/punk band should exist in the aftermath of the Green Day Nineties was a proposal that hung heavy with apprehension, confusion and bewilderment. While a difficult construct to navigate, this is the unlikely Portland, Oregon setting we see the Exploding Hearts erupt from.
Drawing spiritual inspiration from the likes of the Buzzcocks, Undertones, and Nick Lowe, the attitude and implied delinquency of the Exploding Hearts was more in line with that of au courant Naughties Warped Tour line-ups. The band also considered themselves peers with the scuzzier side of “The” rock bands at the top of the 2000s. The intersection between Detroit garage punk, Goner Records and the shelves at Hot Topic is a seldom tread land, but it was fertile with potential.
With ten undeniable songs clocking in at just 28 minutes, the Hearts' indisputably essential Guitar Romantic operated as the punk rock equivalent of Ernest Hemingway’s writing: Nothing extraneous, simple, straightforward, to the point, deserving of no additional flourish or accoutrement, with every creative decision pushing forward the work as a whole. Arguably, perfect.
The album immediately felt strong. It felt classic. It felt…destined for bigger things.
Yet barely three months after its domestic release, with momentum building and Lookout! Records sniffing around, band members Jeremy Gage, Adam Cox and Matt Fitzgerald, all barely in their twenties, would die in a tragic van accident that ended the band.
The intervening two decades has found Guitar Romantic bubble up from a below-the-radar cult classic to a genuinely acknowledged and appreciated touchstone of its time. As years have carried on with the album rightfully landing on countless “Best of” lists, this record is somehow still ascending and growing.
With that in mind, the passing of Guitar Romantic co-writer “King” Louie Bankston in 2022 served as inspiration for Six to place the album with an appropriate and caring long-term home after years of planning to self-release. Six approached only one label - Third Man Records - who immediately agreed to take up the mantle of the record that was near and dear to their collective hearts.
Guitar Romantic (Expanded & Remastered) doesn’t just present the album with a sharp, spiffed up remastering. It also found original album producer Pat Kearns spinning the old reel to reel and archived DAT tapes for the first time in twenty years. This enabled Six to drop in nuggets like little snippets of pre-and-post-take studio dialogue amongst band members, adding audible life to a record that for too long has been overly-associated with death.
If that weren’t enough, the remastering uncovered the previously forgotten organ-heavy “King Louie Mix” of the fan favorite “I’m A Pretender.” Even more intriguing was the discovery of a completely unheard take of “So Bored", previously not even known to have been recorded at the Guitar Romantic sessions. Of most excitement though is a remastered version of “Busy Signals” (a song originally released on a small-quantity 7-inch in January 2003).
All of these songs are included here, housed in a beautiful gatefold packaging and still all fitting on a single LP.
With plans to play a handful of select tribute shows across the US to honor the Guitar Romantic material, Terry Six continues to carry the torch for the Exploding Hearts and the countless fans who count this album as a quintessential touchstone.
Island of Love
Island Of Love [Indie Exclusive Limited Edition Piss Yellow LP]
Vinyl: $24.98 PREORDER
You know a band has to be one of the most incredible live outfits in the country when they get signed immediately after a show in the time it takes to pop outside for a cigarette break. This is exactly what happened to Island of Love after they were invited to play The Blue Basement venue in Third Man Records - which opened in September 2021 in London as the third Third Man store after Nashville and Detroit. Island of Love were second only to Jack White himself to play the room and it was still so new that the drummer even left with paint on his back from where he’d been pressed up against the wall playing. With that on-the-spot offer, they became the first band signed to Third Man London.
The band are a unique proposition in many ways. While countless London bands continue to go down the same tired path of churning out spoken word post-punk, Island of Love marry raw, primal noise led by crunchy guitars with intrinsically melodic sensibilities - recalling the sound and spirit of peak-era Dinosaur Jr. or Husker Dü.
DRAIN – the Santa Cruz, CA based hardcore band, whose energetic live shows have propelled them to peak underground popularity (during a global pandemic) and they are ready to break wide open in 2023.
Living Proof is the band’s Epitaph Records debut and follow up to their 2020 breakout release, California Cursed. The new album is a testament to the hard work and heartfelt ethos that’s at the center of DRAIN’s good-time psyche. There are a couple surprises on the album. Rapper Shakewell appears on the track, “Intermission”. There’s also a cover of “Good, Good Things,” a nearly four-decade old melodic punk carol by the Descendents: slam-pit forebearers to DRAIN if there ever were any. “It’s crazy because the song’s been out like forty years, but lyrically it’s a DRAIN song!” exclaims vocalist Sam Ciaramitaro. “It just hits on everything that I love, that I’m about.”
What Sammy’s about is plenty wholesome. “I hope with this record that when someone hears it, it gives them hope,” beams. “If we were able to get through the tough times, anyone can. I can’t wait to play these songs and hear a room full of people singing back to us. We’re what the title says, the Living Proof.”
Produced by longtime friend and multi-instrumentalist Taylor Young (God’s Hate, Suicide Silence), then mixed by John Markson (Drug Church, Koyo), this is hardcore for everybody. “As the band gets bigger, I try and keep that feeling alive,” says the smiling singer. “Every night I set up the merch and run it until it’s time to play. I want to be the guy that everyone says hello to. I want to thank every single kid that comes out for being there.”

Jenny Lewis’ fifth solo album, Joy’All arrives June 9th. Joy’All finds the singer-songwriter embarking on a new era, in a new town – and on a new label, as she joins the iconic roster of Blue Note/Capitol Records. While Joy’All pulls from a bounty of sonic inspiration – from classic soul to ‘90s R&B, as well as country and classic singer-songwriter records – the album’s rich, intimate and warm live sound is the hallmark of eight-time GRAMMY-winning producer Dave Cobb. Recorded at Nashville’s historic RCA Studio A, Joy’All includes new single “Psychos” and the previously released single “Puppy and a Truck.”
Grouplove
I Want It All Right Now [Indie Exclusive Limited Edition Baby Pink & White LP]
Vinyl: $29.98 PREORDER
"I Want It All Right Now" was produced by Grammy-winning producer John Congleton. They will be embarking on a North American stadium/arena tour with pop superstar P!nk. Los Angeles' Grouplove blend a quirky, '90s-style indie rock sensibility with a spirited, arena-ready roar. It's a sound they debuted on 2011's Never Trust a Happy Song, which spawned the number one Billboard Alternative Songs Chart hit "Tongue Tied." They have continued to straddle mainstream and indie success, playing festivals around the globe and remaining Top 20 Billboard Alternative chart regulars with albums like 2013's Spreading Rumours and 2020's Healer. In March 2021, Grouplove returned with their surprise fifth album, This Is This.
Milky Chance
Living In A Haze [Indie Exclusive Limited Edition Ocean Blue LP]
Vinyl: $24.98 PREORDER
Def Leppard / Royal Philharmonic Orchestra
Drastic Symphonies [Indie Exclusive Limited Edition Clear 2P]
Vinyl: $39.98 PREORDER
Strap yourselves in for the sonic ride of your life. Rock and classical royalty unite on brand new album Drastic Symphonies. Recorded at Abbey Road Studios in London, Def Leppard have drastically deconstructed and reimagined some of their biggest hits, collaborating with the Royal Philharmonic Orchestra. This bold new approach to the orchestral hits formula sees new vocal and guitar recordings from the band.
Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.
The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.
Lukas Nelson & Promise Of The Real
Sticks and Stones [Indie Exclusive Limited Edition Dark Blue w/ White Swirl LP]
Vinyl: $23.98 PREORDER
Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.

Avenged Sevenfold
Life Is But A Dream [Indie Exclusive Limited Edition Cobalt Blue 2LP]
Vinyl: $39.98 PREORDER
Avenged Sevenfold’s new album, Life Is But A Dream is a timeless work of art that blurs genres. Best served as a whole and consumed en masse to truly appreciate its musical breadth and sonic depth, it marks their boldest statement and most revolutionary work to date. Written and recorded over the span of 4 years, it was produced by Joe Barresi and Avenged Sevenfold in Los Angeles and mixed by Andy Wallace in the Poconos, PA. Inspired by Albert Camus’ The Stranger, the album is a journey through an existential crisis; a very personal exploration into the meaning, purpose and value of human existence with the anxiety of death always looming. Immerse into this experience…
Lewis Capaldi
Broken By Desire To Be Heavenly Sent [Indie Exclusive Limited Edition White LP]
Vinyl: $34.26 PREORDER
On the heels of his latest single “Forget Me,” Lewis Capaldi returns with his sophomore album, Broken By Desire To Be Heavenly Sent. It is the follow-up to his debut release, Divinely Uninspired To A Hellish Extent. Indie Exclusive White 180-gram vinyl LP.
Fruit Bats
A River Running To Your Heart [Indie Exclusive Limited Edition Opaque Blue & Bone LP]
Vinyl: $22.98 PREORDER
A River Running to Your Heart represents the fullest realization of Johnson's creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. Self-produced by Johnson-a first for Fruit Bats-with Jeremy Harris at Panoramic House just north of San Francisco, A River Running to Your Heart is Fruit Bats' tenth full-length release. The album finds the project in the middle of a people-powered climb leading to the biggest shows, loudest accolades, and most enthusiastic new fans in Fruit Bats history! It's hard to pinpoint a single reason for this mid-career resurgence. But after two decades of making music, hard-earned emotional maturity has clearly seeped into Johnson's already inviting songs, resulting in a sound that's connected with audiences like no other previous version of the band.
The Tallest Man On Earth
Henry St. [Indie Exclusive Limited Edition Translucent Red LP]
Vinyl: $25.98 PREORDER
Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away...Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.”
Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations” (Under The Radar) and 2015’s Dark Bird Is A Home, his “most personal record... surreal and dreamlike” (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person––mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play.
Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone.

Last year’s Big Time brought Angel Olsen to a deeper, truer sense of self than ever before. Borne from the twin stars of grief and love, the album delivered beautiful sense of certainty, the sure-footed sound of an artist fully, finally at home with herself. But within that wisdom comes the realization that there is no finish line, no destination or static end point to life while you’re living it, and Forever Means collects songs from the Big Time sessions that hold this common theme. They are, in Olsen’s words, “in search of something else.”
“I was somewhere traveling,” says Olsen, “stopped for a few days and wandering the city, and I was thinking ‘what does ‘forever’ really mean? What are the things I’m seeking in friendship or love, and how can ‘forever’ be attainable if we’re always changing?’” Sitting with the reality of that entropy, Olsen realized “maybe the secret to ongoing love is to embrace change as part of love itself, that forever must have something to do with playing, looking, constantly searching things out for yourself, never letting yourself think you’re finished learning or exploring.”
Forever, says Olsen, “remains curious while trying also to be kind and honest.”
All this packs into the four precious songs that comprise Forever Means, songs from Olsen’s roads traveled and the ones ahead. “Nothing’s free / like breaking free” Olsen sings, comfortable with the costs of her clarity, her heart and voice fixed on the present, the future, the not-yet-known and the beautifully unknowable.
Tom Waits
Closing Time: 50th Anniversary [Indie Exclusive Limited Edition Clear 2LP]
Vinyl: $31.98 PREORDER
Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

3 LP Packaging: 3 LP 180-gram heavy vinyl edition, 20 new songs.
Christine and the Queens presents his new album PARANOĎA, ANGELS, TRUE LOVE. Includes “To be honest” and guest appearances from Madonna and 070 Shake.
The Signals Super Deluxe celebrates 40 years with a brand-new Hugh Syme cover & the 2015 remaster on CD for the first time. The album vinyl was cut for the first time at half-speed via DMM & pressed on 180g black vinyl for optimal vinyl quality with new Hugh Syme art in a premium tip-on jacket. A Blu-ray Audio disc features brand-new immersive Dolby Atmos & 5.1 surround mixes by Richard Chycki, the 2015 48kHz 24-bit stereo remaster, new animated visualizers for each song & 2 bonus music videos for “Subdivisions” and “Countdown”. Bonus items include a 40-page hardcover book with new song illustrations and unreleased photos from the Signals Tour, four 7-inches with new art, three lenticulars that transition from the original black & white band headshots into the original album “Digital Man” color headshots, four Signals Tour band lithos, Hugh’s original album cover sketch litho & a double-sided 24-inch by 24-inch poster featuring Hugh’s new art on one side and an outtake photo from the original album cover shoot on the other side.
Protomartyr
Formal Growth In The Desert [Indie Exclusive Limited Edition Blue LP]
Vinyl: $25.99 PREORDER
Nigerian-American musician, songwriter and producer Joy Oladokun announces her new album, Proof of Life, out April 28, 2023 on Amigo/Verve Forecast/Republic Records. Her third original full-length album vividly captures the human experience with a profound simplicity, celebrating the little details and simple pleasures of being alive, while giving voice to some of life’s most complex experiences in a way only she can. The album boasts feats from Chris Stapleton, Noah Kahan, Mt. Joy and more.

This is the first official release by The Ducks - a short lived group that Neil played with in 1977. The Ducks featured Neil (guitar, harmonica and vocals), Bob Mosely (bass and vocals), Jeff Blackburn (guitar and vocals) and Johnny Craviotto (drums). Mosely was an original member of Bay Area band Moby Grape; Blackburn had previously fronted his own band and co-wrote with Neil the classic track “My My Hey Hey (Out of the Blue)”.
The band played several shows in Santa Cruz, CA and other California venues during two months in 1977, and this 3-LP, 2 CD, 25-track live album features highlights from those shows. The set lists were very democratic, with each member of the band taking the lead in turn. 5 Neil Young songs are showcased, including a rocking version of “Mr. Soul”, plus beautiful renditions of “Are You Ready For The Country”, “Little Wing”, “Sail Away” and “Human Highway”. (3 LP, 2 CD)
The Ducks:
Neil Young - Guitar, Harmonica & Vocals
Bob Mosley - Bass & Vocals
Jeff Blackburn - Guitar & Vocals
Johnny Craviotto - Drums & Vocals
Produced by Tim Mulligan with Jeff Blackburn & Neil Young
Live from Santa Cruz, Summer 1977
At The Catalyst, The Crossroads, The Steamship, Veterans Auditorium and Magic Devices Studio
Sticker Copy:
Jeff Blackburn
Johnny Craviotto
Bob Mosley
Neil Young
25 tracks on 2 CDs (or 3 LPs)
Recorded Live in California, 1977
Neil Young with the Santa Monica Flyers
Somewhere Under the Rainbow 1973 [2LP]
Vinyl: $39.98 PREORDER
Neil Young and The Santa Monica Flyers
The Legendary Tonight’s The Night Tour
The Rainbow Theatre - London, England
November 5, 1973
Neil Young and the Santa Monica Flyers (Neil Young, Nils Lofgren, Ben Keith, Billy Talbot, Ralph Molina) played London’s Rainbow Theatre on November 5th, 1973, with the first half of the concert dedicated to Neil Young’s masterpiece album Tonight’s The Night. The intense concert was recorded by Pete Long, and includes riveting versions of the Tonight’s The Night tracks, plus Young classics “Cowgirl In The Sand”, “Don’t Be Denied” and “Flying On The Ground Is Wrong”. (2 LP, 2 CD)
Neil Young - Guitar, Vocals
The Santa Monica Flyers:
Nils Lofgren - lead and rhythm guitars, piano, accordion, vocals
Ben Keith - steel guitar, vocals
Billy Talbot - bass, vocals
Ralph Molina – drums, vocals
Recorded by Pete Long at The Rainbow Theatre, London, November 5, 1973
Mixed and Mastered by The Volume Dealers: Neil Young and Niko Bolas
Olivia Jean
Raving Ghost [Indie Exclusive Limited Edition Phantom Amethyst LP]
Vinyl: $24.98 PREORDER
The third full-length from Olivia Jean, Raving Ghost, is an album populated by mysterious characters in various states of danger: cursed lovers, doomed souls, women deliriously haunted by unseen forces. Over the course of its 12 spellbinding tracks, the Detroit-born singer/songwriter/multi-instrumentalist amplifies that drama with her wildly melodic take on garage-rock, handling each riff with the power and precision she’s previously shown as a member of the Black Belles (and as an in-demand session/touring musician who’s played with legends like Wanda Jackson). A stunning evolution of the retro-surf sound of her past solo work, Raving Ghost ultimately makes for the most magnificently heavy and mesmerizing output yet from an endlessly fascinating artist.
Ed Sheeran is set to release his new album ‘-‘ (Subtract) - the last in his decade-spanning mathematical album era - on May 5, 2023. An album that revisits Ed’s singer/songwriter roots, and one that was written against a backdrop of personal grief and hope, ‘-’ (Subtract) presents one of the biggest stars on the planet at his most vulnerable and honest.
Stephen Stills is an unyielding force of nature.
The amount of music pouring out of this man could’ve fueled a half-dozen bands. Following the June 1971 release of his second solo album, Stephen Stills 2, he announced his first solo tour designed to showcase all aspects of the ever-growing artist. Fans who were lucky enough to catch his historic debut trek, dubbed “The Memphis Horns Tour,” were treated to the balladeer, the raving troubadour, the acoustic bluesman, the soul driver, and by far the most passionate music maker offering his goods across the better auditoriums and arenas that summer.
This previously unissued live album, with performances hand-picked by Stills from his personal archives, was recorded on August 20 and 21, 1971 at The Berkeley Community Theater. This 3,500-seat venue made this one of the most unique and intimate stops on the tour that included his iconic concert at New York’s Madison Square Garden. In many ways, these Northern California shows in Berkeley sound as if Stills is leaving it all on the stage during a hometown gig.
In addition to The Memphis Horns, Stills is backed by a loyal cast of friends, including his usual steady rhythm section—drummer Dallas Taylor and bassist Calvin “Fuzzy” Samuels—along with keyboardist Paul Harris, guitarist Steve Fromholz, and percussionist Joe Lala. Guesting on both nights of these recordings was David Crosby, singing on his own nautical classic “The Lee Shore,” and the Stills-penned “You Don’t Have To Cry,” a Crosby, Stills & Nash favorite.
The music on these grooves—timeless and era-defining performances— “Word Game,” “Love The One You’re With,” “Sugar Babe,” “Cherokee,” among others, hasn’t aged a day since they were captured on tape. This album, rather than being an artifact from a bygone era, sparkles and stimulates. It cajoles you into thinking, feeling and—most importantly—moving. This is music that’s been unearthed because it’s simply too good not to be blasting out of cars and exploding from apartment windows and onto the streets.
Stephen Stills Live At Berkeley 1971 is a cornucopia of priceless sound—and all of it bears the distinct and loving fingerprint of Stephen Stills.
—Howie Edelson, New York City, December 2022

The Jonas Brothers took the world by storm in 2019 with the surprise release of their critically acclaimed and widely successful single "Sucker" following a six-year hiatus. The triple-platinum single debuted at #1 on Billboard's Hot 100. Their third #1 album ‘Happiness Begins’ went platinum, and they recently celebrated receiving a star on the Hollywood Walk of Fame. Their next album 'The Album' will release on May 12, 2023 and was produced by Jon Bellion.

The Milk Carton Kids
I Only See the Moon [Indie Exclusive Limited Edition Maroon LP]
Vinyl: $23.98 PREORDER
Completing their seventh studio album was a hard-won victory for The Milk Carton Kids, but I Only See the Moon was worth the effort for Kenneth Pattengale and Joey Ryan. “It feels like returning to something that’s natural and comfortable, and also just as inspiring and new as when we first met,” says Pattengale, who formed The Milk Carton Kids with Ryan in 2011.
What started as a three-week recording session in the fall of 2021, with Pattengale producing the contemporary folk duo himself for the first time, stretched into a monthslong project that found the pair digging deeper into their craft than ever before. With a new studio of their own in Los Angeles and the realization that they were in no hurry, The Milk Carton Kids took the time they needed to be fully satisfied with I Only See the Moon.
“I haven’t been as happy with the collection of songs that we’ve put on record probably since our first record, and it’s because of a lot of the lessons we’ve learned over the years, including giving yourself time and space,” Ryan says.The three-time Grammy nominees sound refreshed on 10 new songs distilled to the essence of The Milk Carton Kids: two voices blended together in spellbinding harmony, accompanied by subtly perfect acoustic instrumentation. Turns out that’s a tough sound to get just right, but I Only See the Moon shows just how much Pattengale and Ryan were willing to work for it.
Niall Horan's `The Show' - his third solo album and first since 2020's chart-topping `Heartbreak Weather' - will be released on June 9, 2023. Preceded by its lead single "Heaven," the album matches the pure emotion of his globally beloved past work with a powerful new element of soul-searching reflection. Each vinyl copy of `The Show' includes a randomly selected print of a letter handwritten by Niall about a song from the album.

Jason Isbell And The 400 Unit
Weathervanes [Indie Exclusive Limited Edition Natural LP]
Vinyl: $29.98 PREORDER
A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.
“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”
Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.
They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.
Ben Folds
What Matters Most [Indie Exclusive Limited Edition Autographed Color LP]
Vinyl: $44.98 PREORDER
Autographed Color LP
“More than anything, I wanted to make an album that was generous, that was useful,” says Ben Folds. “I want you to finish this record with something you didn’t have when you started.” Indeed, Folds’ masterful new collection, What Matters Most, isn’t so much a statement as it is an offering, an open hand reaching out to all those wounded and bewildered by a world that seems to make less and less sense every day. Recorded in East Nashville with co-producer Joe Pisapia, the album marks Folds’ first new studio release in eight years, and it’s a bold, timely, cinematic work, one that examines the tragic and the absurd in equal measure as it reckons with hope and despair, gratitude and loss, identity and perspective. The songs are bittersweet here, hilarious at times, but often laced with a quiet sense of longing and dread: a text message goes unanswered; an old classmate descends into the dark depths of internet conspiracies; a relationship unravels in the middle of a lake. And yet, taken as a whole, the result is an undeniably joyful record that refuses to succumb to the weight of the world around it, an ecstatic reminder of all the beauty and promise hiding in plain sight for anyone willing (and present enough) to recognize their moments as they arrive.